TIMES, TIME, AND HALF A TIME. A HISTORY OF THE NEW MILLENNIUM.

Comments on a cultural reality between past and future.

This blog describes Metatime in the Posthuman experience, drawn from Sir Isaac Newton's secret work on the future end of times, a tract in which he described Histories of Things to Come. His hidden papers on the occult were auctioned to two private buyers in 1936 at Sotheby's, but were not available for public research until the 1990s.



Thursday, November 20, 2014

Tomb of a Sleeping Queen?


Image Source: AP via National Geographic.

From Marie Antoinette, a modern Austrian princess, we go back through time to another queen, Olympias. We go back through Austria, or Ă–sterreich (the 'Eastern Reich,' the modern remnant of the Eastern Roman Empire), and before Rome, back to Greece. In Greece, archaeological circles are buzzing about a newly-discovered burial chamber from the time of Alexander the Great (Hat tip: Graham Hancock). It is 2,300 years old and is the largest ancient tomb in northern Greece.

The burial mound stands near ancient Amphipolis, 600 kilometers (370 miles) north of Athens. The tomb inside the mound is massive, marble-walled and ornately decorated, and must house the body of a royal personage, perhaps Alexander's mother or wife.

It is unlikely to be the tomb of the famous king himself, whose grave is lost somewhere in Egypt - another mystery waiting to be solved. The site is dated after his death, in the latter quarter of the 4th century BC, approximately between 325 and 300 BCE. Alexander died in 323 BCE. A member of the Argead dynasty ('from Argos'), Wiki describes him simply: "The most notable ancient Greek King and one of the most celebrated strategists and rulers of all time. Alexander at the top of his reign was simultaneously King of Macedonia, Pharaoh of Egypt, King of Persia and King of Asia." Because of his blinding legacy, still evident today, Alexander's impact arguably surpasses that of any other leader of the ancient world, including the Persian kings, the Egyptian pharaohs, and successive Roman emperors. Unsurprisingly, that interpretation is disputed by modern Iranian scholars. Legacies aside, the tomb dates from ancient Greece's highest moment of glory and power before the flowering of a multicultural Hellenistic imperial culture, which eventually led to the emergence of the Roman Empire after the Battle of Actium in 31 BCE.

Monday, November 17, 2014

Marie Antoinette's Millennial Rococo


Image Source © Cathy Fitzgerald via etsy.

The Internet has made history ahistorical, a treasure box for post-Postmodern plunder. Globalization allows designers to create a crazy quilt of anachronistic, cross-cultural references. Even as traditions are upended, they gain new life. For example, the world has never been more republican, but royal families survive as minor celebrities. There is also a subculture devoted to some royals who have achieved historical dead movie star status.

Image Source: etsy.

Popular history of these dead stars survives in role-playing clubs and historical reenactment communities, fueled by the Internet. The craft merchant site Etsy gives a snapshot of the cult around Marie Antoinette.

Even in her lifetime, she fell prey to a modern pattern of celebrity. She entered the French court as a teen-aged magnet of attention, and set the highest standard of beauty among her contemporaries. After giving birth in front of an audience of hundreds of courtiers she complained:
"I put on my rouge and wash my hands in front of the whole world!"
There are many cryptic and apocryphal quotations associated with her, including the falsely attributed, 'Let them eat cake,' to dismiss the starving people of Paris. This was actually a quote from Rousseau, published when Marie Antoinette was only nine years old and still living in Vienna.

Her mother, the great Austrian empress Maria Theresa, purportedly consulted a seer on whether her daughter would be happy in France; and the seer supposedly replied:
"There are crosses for all shoulders."
Finally, one of the most famous quotations associated with the ill-fated French queen is:
"I have seen all, I have heard all, I have forgotten all."
She still represents ornately-adorned beauty and lavish, glittering excess. She is also popular in Gothic circles as a morbid symbol of retribution for wastefulness and exploitation, a pale face of warning. This mixed message of wealth and justice, beauty and death rings true today, and so her popularity endures.

Addendum (23 October 2015): Tea at Trianon found an English transcript of Marie Antoinette's trial, here.

Image Source: etsy.