Image Source: Opheliac Madness.
At the great blog, Trans-D, Dia Sobin finds artistic connections between layers of time and dimensional existence. Recently, she dug through a trove of old books - with initial posts here and here - and settled on a 1943 edition of Emily Brontë's Wuthering Heights (1847). She wrote an incredible post on how Catherine's and Heathcliff's love reveals the blurred boundaries of reality. I commented, because she described something one might call 'the Brontë Effect'; the italicized text cites Dia's post, with my comments in non-italics:
First, regarding Dia's observation that Wuthering Heights is trans-dimensional and multi-temporal, one senses this less in reading the novel, and more in the lingering impression after one reads it. The story leaves one with a feeling of time smashed together through characters' blurred and overlapping identities; their names and roles repeat, and generational tweaks are permitted over decades. The novel goes on forever, but Catherine is only about 18 years old when she dies at Thrushcross Grange. The 2009 dramatization had her die at age 25; either way, she remains eternally young and a persistent force."'And, there is also the transdimensional aspect of the story: the odd way in which Emily presented her narratives, from several different points of view, intertwining numerous points in time, thereby, creating a weird, reverberating gestalt as opposed to a linear chronicle.' ... [I responded:] I felt that there was an indistinctness, especially because the characters give their kids the same names. Past, present and future are jumbled together. ...I wonder if Emily Bronte was exposed via her father to Scottish freemasonry? Because when you look at the story in the sense of two souls in an alchemical marriage, the story becomes much more clear. Maybe she intuitively 'reached for' alchemical concepts without knowing them. I am sure someone has researched it. A lot of the primal gothic takes on the trans-dimensional or multi-dimensional aspects ... if you consider the alchemical. Across time, space, in new incarnations, like the two lovers embody a conflicting spirit of humans on the moors, but [also on] Jacob's Ladder ... ."